Forrest Gump is a movie heart-breaker of oddball wit and startling grace. There's talk of another Oscar for Tom Hanks, who is unforgettable as the sweet-natured, shabbily treated simpleton of the title. The Academy is a sucker for honoring afflicted heroes. In Hollywood, it's always raining rain men. Credit Hanks for not overplaying his hand. He brings a touching gravity to the role of an idiot savant from the South who finds strength in God, country, his childhood pal, Jenny (Robin Wright), and his good mama (Sally Field). When Forrest falls a few IQ points shy of minimal school requirements, Mama knows who to sleep with to bend the rules. Her son has a gift. As Forrest makes his pilgrim's progress from the '50s to the '80s, he becomes a college football star, a Vietnam war hero, a shrimp tycoon and even a father.
Forrest Gump
Wednesday, 6 February 2013
Saturday, 2 February 2013
Forrest Gump movie cast and crew
Directed by
Robert Zemeckis
Tom Hanks
Rebecca Williams
Sally Field
Michael Conner Humphreys
Harold G. Herthum
George Kelly
Bob Penny
John Randall
Sam Anderson
Margo Moorer
Ione M. Telech
Christine Seabrook
John Worsham
Peter Dobson
Forrest Gump movie review
Forrest Gump is a movie heart-breaker of oddball wit and startling grace. There's talk of another Oscar for Tom Hanks, who is unforgettable as the sweet-natured, shabbily treated simpleton of the title. The Academy is a sucker for honoring afflicted heroes. In Hollywood, it's always raining rain men. Credit Hanks for not overplaying his hand. He brings a touching gravity to the role of an idiot savant from the South who finds strength in God, country, his childhood pal, Jenny (Robin Wright), and his good mama (Sally Field). When Forrest falls a few IQ points shy of minimal school requirements, Mama knows who to sleep with to bend the rules. Her son has a gift. As Forrest makes his pilgrim's progress from the '50s to the '80s, he becomes a college football star, a Vietnam war hero, a shrimp tycoon and even a father.
Taking a cue from Zelig, director Robert Zemeckis places Forrest in a vivid historical context — he talks with JFK, LBJ and Nixon, among other luminaries. The effects dazzle, though never at the expense of the story. Winston Groom, who wrote the 1986 novel, saw Forrest as a modern Candide, an optimist in the face of strong opposing evidence. But Groom is no Voltaire, and neither is screenwriter Eric Roth (Mr. Jones, Memories of Me), who blunts his satire with choking sentiment. It's Hanks who brings humor and unforced humanity to the literary conceit of Forrest, though the slim actor scarcely resembles the 6-foot-6-inch, 240-pound bruiser of the book.
In a college dorm with Jenny, who lets him touch her breast, the virginal Forrest ejaculates instantly, losing her interest and his self-respect. In the Army, Forrest saves his captain (Gary Sinise), whose legs are later amputated, and the captain resents him. Forrest is everything we admire in the American character — honest, brave, loyal — and the film's fierce irony is that nobody can stay around him for long.
Zemeckis doesn't fall into the trap of using Forrest as an ad for arrested development. He knows the limits of a holy fool who can't understand the hypocrisy of postwar America that this picaresque epic so powerfully reveals. The peace-love pretensions of the '60s are skewered as neatly as the greed decades that follow. But there is something of Forrest that Zemeckis would like to see rub off on us: his capacity for hope. It's an ambitious goal in this age of rampant cynicism. Godspeed.
Forrest Gump movie overview
I've never met anyone like Forrest Gump in a movie before, and for that matter I've never seen a movie quite like "Forrest Gump." Any attempt to describe him will risk making the movie seem more conventional than it is, but let me try. It's a comedy, I guess. Or maybe a drama. Or a dream.
The screenplay by Eric Roth has the complexity of modern fiction, not the formulas of modern movies. Its hero, played by Tom Hanks, is a thoroughly decent man with an IQ of 75, who manages between the 1950s and the 1980s to become involved in every major event in American history. And he survives them all with only honesty and niceness as his shields.
And yet this is not a heartwarming story about a mentally retarded man. That cubbyhole is much too small and limiting for Forrest Gump. The movie is more of a meditation on our times, as seen through the eyes of a man who lacks cynicism and takes things for exactly what they are. Watch him carefully and you will understand why some people are criticized for being "too clever by half." Forrest is clever by just exactly enough.Tom Hanks may be the only actor who could have played the role.I can't think of anyone else as Gump, after seeing how Hanks makes him into a person so dignified, so straight-ahead. The per formance is a breathtaking balancing act between comedy and sadness, in a story rich in big laughs and quiet truths.
Forrest is born to an Alabama boardinghouse owner (Sally Field) who tries to correct his posture by making him wear braces, but who never criticizes his mind. When Forrest is called "stupid," his mother tells him, "Stupid is as stupid does," and Forrest turns out to be incapable of doing anything less than profound. Also, when the braces finally fall from his legs, it turns out he can run like the wind.
That's how he gets a college football scholarship, in a life story that eventually becomes a running gag about his good luck. Gump the football hero becomes Gump the Medal of Honor winner in Vietnam, and then Gump the Ping-Pong champion, Gump the shrimp boat captain, Gump the millionaire stockholder (he gets shares in a new "fruit company" named Apple Computer), and Gump the man who runs across America and then retraces his steps.
It could be argued that with his IQ of 75 Forrest does not quite understand everything that happens to him. Not so. He understands everything he needs to know, and the rest, the movie suggests, is just surplus. He even understands everything that's important about love, although Jenny, the girl he falls in love with in grade school and never falls out of love with, tells him, "Forrest, you don't know what love is." She is a stripper by that time.
The movie is ingenious in taking Forrest on his tour of recent American history. The director, Robert Zemeckis, is experienced with the magic that special effects can do (his credits include the "Back to the Future" movies and "Who Framed Roger Rabbit"), and here he uses computerized visual legerdemain to place Gump in historic situations with actual people.
Forrest stands next to the schoolhouse door with George Wallace, he teaches Elvis how to swivel his hips, he visits the White House three times, he's on the Dick Cavett show with John Lennon, and in a sequence that will have you rubbing your eyes with its realism, he addresses a Vietnam-era peace rally on the Mall in Washington. Special effects are also used in creating the character of Forrest's Vietnam friend Lt. Dan (Gary Sinise), a Ron Kovic type who quite convincingly loses his legs.
Using carefully selected TV clips and dubbed voices, Zemeckis is able to create some hilarious moments, as when LBJ examines the wound in what Forrest describes as "my butt-ox." And the biggest laugh in the movie comes after Nixon inquires where Forrest is staying in Washington, and then recommends the Watergate. (That's not the laugh, just the setup.) As Forrest's life becomes a guided tour of straight-arrow America, Jenny (played by Robin Wright) goes on a parallel tour of the counterculture. She goes to California, of course, and drops out, tunes in, and turns on. She's into psychedelics and flower power, antiwar rallies and love-ins, drugs and needles. Eventually it becomes clear that between them Forrest and Jenny have covered all of the landmarks of our recent cultural history, and the accommodation they arrive at in the end is like a dream of reconciliation for our society. What a magical movie.
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